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By F. A. PALEY

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Extra resources for A MANUAL OF GOTHIC MOLDINGS

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The latter are measure great ; arbitrary, so, especially in of the one are in a though the forms themselves are The former in the latter both are absolutely defined. run principally in vertical the few in number, and very limited The combinations in their application. fixed jambs and lines, the latter in horizontal. In Gothic architecture, horizontal moldings occur in water-tables and string-courses, and in capitals and bases, in which posi- tions they invariably form subordinate lines, so as to contrast and display the predominant principles of a sweep, and may vertical ascending so far perhaps be regarded as lingering ves- tiges of the Classic usage.

This is also the opinion of the authors of the " Analysis of Gothic Architecture," page 48. It is also true that the intercourse - THE GENERAL PRINCIPLES OP FORMATION. were, a new added to the alphabet, why should letter 13 it not be attributed to invention, rather than sought for in the resem- may happen blance which an Italian molding However, the discussion of this question who have tion of work is to bear to it ? rather for those to do with the "theory of moldings, as the determina- does not in the least affect the facts of which this it treats.

If cut through by a plane at Thus PL. A b, would present the appearance of I. fig. fig. 5. 10, if cut across INTRODUCTORY. A mold, or molding (the former is the ancient term), monly signifies the entire arch but ; A we com- which ornaments a jamb or of such series. a is when placed said to be grouped, generally find group series here generally used in the sense of a particular it is member Members are part or tion, as 11 them ; in combina- but bunch of moldings separate or members, standing prominent or isolated, either on a shaft or between two deep hollows.

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